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The premise is familiar: Three young women on a camping trip find themselves under siege from three unhinged attackers and fight back. I am just dipping a toe in their genre, and they are very protective of it and there are very specific rules. And they are rules that I obeyed, but in my way. It was shot in the small Maine town where Aselton grew up, with some scenes shot on the very beach she played on as a little girl. The three actresses shared a house during the shoot, which, amid the physical and emotional challenges of the production, created a deeper sense of intimacy among them. Aselton knew Bell prior to shooting, with Bell in turn reaching out to Bosworth to participate. As the film opens, longtime friends Sarah Bosworth , Abby Aselton and Lou Bell are reunited for a camping trip on a small, uninhabited island, with various long-simmering divisions and disagreements soon coming to a boil. They come across three soldiers, recently returned from combat, who are themselves looking for a getaway respite. After a misunderstanding erupts into violence, the three women are forced to fight for their very survival. Following a scene in which Bell and Aselton swam in near-freezing nighttime waters, their characters strip off their damp clothes and huddle together naked for warmth.
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That feeling led to "Black Rock," a thriller co-written by her husband, Mark Duplass, about three former childhood gal pals Aselton, Lake Bell and Kate Bosworth who reunite for a camping trip on a deserted Maine island that turns deadly after the arrival of some Afghanistan veterans on a hunting trip. As harrowing as the film's story is, the shoot itself turned out to be nearly as life-threatening. And honestly, the logline for the film — this fight for survival — became sort of a metaphor for our experience making the movie.
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Men are trying to kill them, and the women hiding in the woods are huddled together, completely nude and desperate. In Black Rock , the three women have gone camping on a remote Maine island for a getaway weekend. Then they happen upon a group of ex-soldiers poaching game, and after an attempted sexual assault all-out war breaks out between the two groups. That leads to a botched escape where the women end up in the woods, peeling off their cold, wet clothes. After one long, shivering conversation, something in the women shifts from prey to predator. Soon the naked figures are lit in shadow as they scrabble through the dirt for something that could be used as a weapon. Being huddled nude in the brush is not a comfortable state for running a film set. Plus, indie film sets are famously intimate, so no one had the luxury of being shy. Black Rock was one of the Sundance movies picked up early for distribution, and Aselton expects it to debut in the summer. Sundance Katie Aselton talks chilling nude scenes in 'Black Rock'.
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The latter two sat down to talk to us regarding the making of the thriller, set on a deserted island where three friends have to fight for their survival. There are three men out there hunting. After a series of unfortunate events, they find themselves in a fight for survival in an effort to get off the island alive. I felt the need after that to get outside, move my body and maybe kill someone. This type of thriller, this approach to a thriller that is very reality based, very truthful and simple in story and concept is something that excited me. I also loved the idea of working with women. The TV show that I am on, I am the only girl with five guys. That was fun, too. I kicked their asses too. And I had female crew members as well.
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The premise is familiar: Three young women on a camping trip find themselves under siege from three unhinged attackers and fight back. I am just dipping a toe in their genre, and they are very protective of it and there are very specific rules. And they are rules that I obeyed, but in my way. It was shot in the small Maine town where Aselton grew up, with some scenes shot on the very beach she played on as a little girl.

The three actresses shared a house during the shoot, which, amid the physical and emotional challenges of the production, created a deeper sense of intimacy among them. Aselton knew Bell prior to shooting, with Bell in turn reaching out to Bosworth to participate.

As the film opens, longtime friends Sarah Bosworth , Abby Aselton and Lou Bell are reunited for a camping trip on a small, uninhabited island, with various long-simmering divisions and disagreements soon coming to a boil. They come across three soldiers, recently returned from combat, who are themselves looking for a getaway respite. After a misunderstanding erupts into violence, the three women are forced to fight for their very survival.

Following a scene in which Bell and Aselton swam in near-freezing nighttime waters, their characters strip off their damp clothes and huddle together naked for warmth. The scene forms a turning point and centerpiece for the story, charged with a hard-to-define energy. And we just happened to do that with no clothes on. That scene is a key transition to the women finding their fierce warriors within, while also trying to hold onto their own identities.

The production itself had a certain assertive female energy about it, as numerous key positions were filled by women, including producer Adele Romanski and cinematographer Hillary Spera. I think the message is far more primal and simple. Aselton started to say that there was no statement intended behind the movie, but then reversed herself. I like big girls who stand up for themselves. Taking a pause, Aselton for a moment reassessed how to label her tale of women, bonding and survival. Moviegoing at the midnight hour. Get the Indie Focus newsletter, Mark Olsen's weekly guide to the world of cinema.

Hot Property. About Us. Brand Publishing. Times News Platforms. Times Store. Facebook Twitter Show more sharing options Share Close extra sharing options. May 17, Sign Me Up. You may occasionally receive promotional content from the Los Angeles Times. Mark Olsen. Follow Us. Mark Olsen writes about all kinds of movies for the Los Angeles Times as both a feature writer and reviewer.

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